Sam Davies, Wire
December 2009

Roj - The Transactional Dharma Of Roj

Since 2004, the year Ghost Box was launched with Farmer’s Angle by Belbury Poly and Sketches and Spells by The Focus Group, the label has gone on quietly proliferating parts of the strange and immaculate parallel universe those records created. It may well continue until it has completely annexed reality, and releases in this one have become the esoteric and evocative fictions.

The Transactional Dharma of Roj feels like a perfectly logical extension of the Ghost Box world. To the gauzy cut-ups of Radiophonic Workshop, stereo effect records, public service announcements and Library Music, it adds oblique nods to Burroughs, Gysin and Brian Jones in Morocco, spiritual spoken word records, and early documents of hippy trail ethnomusicology. Roj (a former member of Broadcast who now lectures on electronic music) excels at creating little musical ecologies in which no element, whether bubbles of analogue bass, or tape-delayed xylophone or wood block, ever clicks into neat overlaps, yet everything coalesces nonetheless into coherent wholes. Its interest in rhythm is perhaps where it differs from previous Ghost Box releases more interested in running together patches of texture and atmosphere.

Though Transactional Dharma never exactly sounds like either Woebot’s album or J-Dilla’s Donuts, it nonetheless reminded me of both, for the ascetic refractions of rhythm in the former and in the latter, the evanescent ‘here and gone again’ quality with which crabwise grooves come together then disperse. The best tracks here unfold into a kind of uncanny life, like little clockwork toys, and while you can imagine Roj designed the set with the Ghost Box world in mind, his record is perfectly strong enough to stand alone, in a twilit zone of its own.